I got home Monday afternoon
from The Soo. It was a delightful trip. The sponsoring guild, Country Spinners& Bridge Shuttlers , did a great job, and the teaching space at Gloria Larke’s store, Gloria’sHappy Hooker, was just fantastic.
I taught the knitting
workshop, Shaping With Stitch Patterns, on Sunday. I was so excited to share some of my recent
knitting thoughts. As I prepared for the
workshop, knitting all those swatches and deciding what to say, I came to
realize that swatches are not only good for checking your stitches-per-inch and
your rows-per-inch gauges. Swatches also give you important information about
the drape of the knitted fabric and the elasticity of the knitted fabric.
Elasticity of knit stitch
patterns became a major theme of the workshop.
We started out the workshop
by examining stockinette stitch. Then we examined the effects of ribbing and
welting (both quite elastic). Here are a few thought on the nature of rib
stitch patterns.
Rib patterns are created by
putting knit stitches and purl stitches in vertical arrangements. Compared to
stockinette stitch, rib stitch patterns cause the fabric to pull in sideways.
The amount of pulling in
increases as the rib width increases. The swatches below are all 40 stitches
wide and 42 rows long. In order from the top, the swatches are: 1X1 rib, 2X2 rib, 3X3 rib,
and 4X4 rib. I hope
you can see that the 4X4 rib looks narrower than the 1X1 rib. In other words, the
stitches-per-inch gauge increases as the rib width increases (when the swatch
is measured not under tension).
Although these patterns pull
the fabric in sideways, they all have a great deal of lateral elasticity: it’s
easy to stretch the fabric out sideways. This phenomenon can be used to great
advantage in sweater design: you can put these stitches in places that you want
to be narrow looking while still having expanding ability.
You may also notice that
when knits and purls are organized in vertical lines, the knits come to the
fore (convex), and the purl stitches recede (concave).
The rib stitch patterns
above all have knit and purl columns of equal width. The elastic effects of these stitches also
occur in patterns where the rib columns are of unequal width or when the rib
pattern is “broken”. Here are two
wonderful expamples:
Knife Pleating (multiples of 13 sts)
Row 1 (RS): * k4, p1, k1, p1, k1, p1, k1, p3, rep from *.
Row 2: *k3, p1, k1, p1, k1, p1, k1, p4, rep from *.
Deep Chevron Pattern (multiples of 18 sts)
Rows 1 & 3 (RS): * k1, (p2, k2) twice, p1, (k2, p2) twice, rep
from *.
Rows 2 & 4: * (k2, p2) twice, k1, (p2, k2) twice, p1, rep
from *.
Rows 5 & 7: * (p2, k2) twice, p3, k2, p2, k2, p1, rep
from *.
Rows 6 & 8: * k1, p2, k2, p2, k3, (2p, k2) twice, rep
from *.
Rows 9 & 11: * p1, (k2, p2) twice, p1, (k2, P2) twice, k1,
rep from *.
Rows 10 & 12: * (p2, k2) twice, p1, (k2, p2) twice, k1, rep
from *.
Rows 13 & 15: * (k2, p2) twice, k3, p2, k2, p2, k1, rep
from *.
Rows 14 & 16: * p1, k2, p2, k2, p3, (k2, p2) twice, rep
from *.
Next time, I’ll point out
some interesting effects of welts. Oh
boy!
Good information. I am playing with ribbing on socks right now.
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