My
visit to Indianapolis and the Midwest Weavers Conference, “Textiles at theCrossroads”,
was a delight. After an 8-hour drive, I arrived late Wednesday afternoon. When
I got out of my car, I was blasted by the 92degF temperature. Oh, and the
humidity. But the fiber fun – and other fun – more than made up for the melting
heat.
There are
two things in particular I want to mention about the conference. First, there
is a lot of volunteer work that goes into making a successful fiber conference.
And I want to thank all of the volunteers for their efforts. They really helped
me personally – to make sure I had my workshop space in order, to help me load
and unload all my workshop materials, to direct me to locations of vendors,
exhibits, coffee shop, and cafeteria. They were all tireless, cheerful, and
effective. I do so admire them and, again, thank all of them.
The
second thing I want to mention is my visit to a local museum. I had arrived a
day early, so I had Thursday to spend as I wished. This is an unusual opportunity
for me when I travel to teach; often I arrive, I teach, then I leave.
Nora,
Tammy, and Nancy invited me to join them for breakfast at Café Patachou, followed by a
visit to the Eiteljorg Museum. This museum has as its focus Western American art and Native American art and
culture. I was mesmerized. I took some photos with my phone. I want to share
some with you, even though some of the photos are fuzzy (or worse).
One of
the first things I saw was a triptych of paintings by Wilson Hurley, “October
Suite, Grand Canyon”. The paintings are large. They are beautiful. I was
especially struck by the “blurb” posted next to the paintings. Here:
So,
George James was wrong; Wilson Hurley was right. Here are the paintings.
Just
after spending time admiring those paintings, I glanced at another which at
first didn’t strike me as all that interesting – until I read the title of the
painting, “Shadows”. Then I took some time examining the painting. It’s
beautiful, and aptly titled. I can’t quite decipher the artist’s name from this
photo.
In one
of the rooms, there were several sculptures by Frederic Remington and Charles
Russell. I was quite familiar with Remington, but not of Russell. I have to say
that I preferred Russell’s work to that of Remington. The pictures I took of
the sculptures were a disaster, but here is some interesting commentary comparing
these two artists:
The
museum was hosting a special exhibit, “Dogs. Faithful and True”, that focused on
the role of dogs in the West and in Native American cultures. There were
several pieces that I just loved! And I loved reading the commentaries that
were posted, such as these:
Here
is a picture of a painting by John James Audubon, “Hare-Indian Dog”:
There
was a magnificent bronze sculpture by Alan Houser in this exhibit. I loved that
it was beautiful from all angles. Here is one picture (the others are too
crappy to share), and description:
It was
a marvelous day at the museum. I didn’t get to see everything before we had to
leave. If I ever get to Indianapolis again, I will most certainly make another
visit to this museum.
I
arrived home late Sunday afternoon and was greeted by 72degF temperatures. Ah!
Something
to look forward to: the next Midwest Weavers Conference, “Uncommon Threads”, is
scheduled for June 17-22, 2019 in Grinnell, Iowa. I can hardly wait!
I just got back from a vacation that included my first time at the Grand Canyon. I found it mesmerizing and impossible to share with those who have not seen it. Those paintings you shared are beautiful. Thank you!
ReplyDeleteYou are welcome!
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